

Mike Green is a 2D Animator known for his clean, stylized cartooning and versatile animation set.
Based in Los Angeles, Mike has spent nearly a decade immersed in animation, tapping into multiple roles across the pipeline and bringing a dynamic, hands-on approach to his craft.
With a deep appreciation for both the creative and production aspects of animation, Mike infuses his work with the vibrant energy and unique personality of his Southwest Philadelphia upbringing,
creating stories and characters that resonate with authenticity and style.
All work showcased on this site is my own and is used under the Fair Use doctrine for promotional purposes. Copyrights remain with their respective owners ©.
No AI was involved in the creation of any my work, unless explicitly stated.
7+ YEARS OF EXPERIENCE!
CLIENTS I'VE WORKED FOR:












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The Michael Show is a short that I directed and animated in 2022 for High on Life, completed in two weeks, balancing personal style with brand requirements of an "Inter-Dimensional Cable" program, done in Adobe Animate.






Animations I made to promote the premiere of BodyHead.
In June 2024, I joined the Adult Swim Smalls series BODYHEAD (created by Lord Spew)
as his Animation Assistant and Keyframe Designer.
I refined animatics into rough animation, designed clean keyframes, and managed shot progressions for the cleanup team.


In addition to my other roles, I was graced with tackling shots solo and animating them directly from Sean's rough boards:






In Spring 2024, I was an animator for PinkLit Studio's Sludge Brothers series pilot, created by Payton Finney.
























My shots were completed in 3 passes: rough animation, final clean animation, and composting
Background Department artwork into my Adobe Animate work files.
Personal animations that I've made for posting across social media, several of which have gone viral.

I have been apart of the MEATCANYON webseries team since 2023, and currently remain on every toon.
I am a core member of the Cleanup Animation team. I strive to retain his iconic style and
level of detail on every frame of animation.


CLEAN-UP ANIMATION GALLERY:
All work done in Adobe Animate.





From Summer to Fall of 2022, I was contracted by Justin Roiland's team to be Animation Director and sole Animator on two promos for their ArtGobblers multi-media project.


In addition to these promos, I also served a Retake Animator on an additional promo,
where I designed & animated looping Gobblers dancing in the background:


I also designed and animated various assets, like this dripping goo,
that were used around their website and other areas of the project.
(the rest of these assets are on my DESIGN portfolio page)

From 2021 - 2024, I served as an Animation Supervisor, Production Coordinator, 2D Animator, Rig Animator, and Character Designer on the Whitest Kids U Know film MARS.

Sole animator & compositor on this shot for MARS; working with an After Effects Puppet Rig with slightly movable Head Rig. All animation, keys, lipsync, head rig animation, compositing & lighting setup were my own.

In 2022, I was contracted to animate on a web-series called Oscar Haley & The Great Beyond.
All work done in Toon Boom Harmony.

In 2020, I was an animator for Will Arnett-produced Quibi series Your Daily Horoscope.
Each character got their own episode 5 days a week, so I was the designated animator for
the GEMINI TWINS (voiced by Janet Varney). I animated all characters in every even-coded Gemini episode.
All animation was done in Adobe Character Animator (which I was also a Beta tester for).
Slight compositing done in After Effects. Every episode completed within strict 2 days deadline.


Illustrations by Gorillaz artist Jamie Hewlett. All rights reserved.
I broke up his illustrations into layers, assembled them into puppet rigs,
and animated them into loops in After Effects.


In 2020, I was hired as an Animator & Cleanup Animator for this commercial, directed by Jayme Lemperle.

CRATEMAN is owned by MILKCRATE NYC ® All Rights reserved.
I was commissioned to create a rig & animate it using a company Illustrator file, courtesy of Aaron LaCrate.
www.milkcratenyc.com

This is an episode of a unreleased series dubbed ALICE that I animated for Cartuna in 2019.
I have cut together this copy purely from animation work files and this does not represent the final product of the series.
All rights reserved to Cartuna Inc. & Amber Owen.

I was hired by Cartuna in 2018 as a full-time Clean-Up Animator (and occasional Retake animator)
for the Facebook Watch original series Liverspots and Astronots, created by Robert Bohn & Nate Milton.
CLEAN-UP ANIMATION GALLERY:

In 2022, I was contracted TPointzeroStudios & Degen Arcade to animate on a series of promos for a
BoredApes x Jarritos collaboration.

I was also hired to turn a special holder's pfp image into an animated, lipsynced ToonBoom character rig.
All work done in ToonBoom Harmony.

























MISC. ANIMATION



A bumper I contributed to the Mega64 TV Twitch channel, featuring an array of characters from their history of videos.
In 2016, I animated and composited this 45-minute visualizer to accompany the release of an album for my music side-project.
My 2015 Student Thesis Film from The University of the Arts.
